HOW TO: A Third Leg

In my opinion, a monopod is the second most important tool for an outdoor photographer. The first would be a tripod. Outside of a camera, of course.

Even with the advent of super high ISO speeds, anti-shake lenses and camera bodies, tripods and monopods provide the essential support needed for blur-free photographs. The use of either of these tools also enables you to scrutinize your composition before pressing the shutter button all the way.

But as we all know, a tripod is not always the most convenient support system to use.

For instance, tripods are not usually permitted indoors in many museums, historic buildings or conservatories. A tripod can even get in your way at certain sporting events. Even architectural street photography could be bothersome to some folks with a three legged apparatus spread out across the sidewalk during rush hour.

So what is the intrepid photographer to do? Have faith…there is a solution. It’s not a fix-all, but I have found the simple, rarely-praised monopod often saves the day. These one legged support systems have plenty to offer.

Their conveniences are many. They are lightweight, easily carried, unobtrusive, quick to set up, and adjustable in height. Mount a ball head onto a monopod, and the camera positions available are almost limitless.

The stronger ones can be used as a walking staff, and most importantly, monopods provide a good bit of stability. When braced against an immoveable object or even yourself, a respectable steady platform is the result. And they are usually allowed where tripods are not. That benefit alone opens up all kinds of possibilities. Plus, monopods are fairly inexpensive.

A monopod certainly will not replace the stability offered by a tripod, but they sure do work well in a pinch. If you know someone who owns one, give it a try for a day. I’m sure you will be pleasantly surprised…and you may even add one to your cache of photographic tools. I keep mine in the car at all times.

 

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